“right now, Nigeria is not the centre of anything but global chagrin.” (Soyinka on Achebe, African literature, clans, beefs, etc)

“right now, Nigeria is not the centre of anything but global chagrin.” (Soyinka on Achebe, African literature, clans, beefs, etc)

Kanye West / “New Slaves”

(Source: youtube.com)

How To Dance To Dubstep (Bronx Style)

(Source: vimeo.com)

Romare/ “Hey Now (When I Give You All My Lovin’) “

Wale / “Bad” f. Tiara Thomas

(Source: vimeo.com)

on Tuesday night Ms. Hill did not disappoint.
Following an hour-plus-long DJ set from A Tribe Called Quest’s Q-Tip, who spun classics from Wu-Tang to Drake, through LL Cool J and Gang Starr, and incorporating the Jackson Five and a singalong to Al Green’s “Let’s Get Together,” Ms. Hill took the stage backed by a ten-piece band that was contagious in its ferocity and launched immediately into a high-tempo, rock-reggae jam that included snippets of “Killing Me Softly,” the Fugees cover that Ms. Hill made famous on the group’s Grammy-winning 1996 sophomore album “The Source.”
She rolled through tracks off another of her Grammy-smashing albums, her solo debut “The Miseducation of Lauryn Hill,” guiding her tightly-bound yet loosely-wound band through “Everything is Everything” and “Superstar,” with her rapid-fire vocals propelling the crowd into a near-constant frenzy.
[…] it bled seamlessly out of her, with near-flawless transitions and an intensity
[…] It wasn’t Lauryn Hill, neo-soul rapstress. It was Lauryn Hill laying it all on the line regardless of what would, or will, come next.
The finale of “Ready Or Not” saw Hill leave the stage a little over an hour after her set started, but that wasn’t going to be the end. She came back out almost immediately for a slower, groovier and more fully realized “Killing Me Softly” before transitioning into a chaotic, breakneck-paced “Neurotic Society” (which she at points slowed all the way down and dove into near-a capella moments), before breezing through full-blown covers of Bob Marley’s “Jammin’” and “Could You Be Loved.”

on Tuesday night Ms. Hill did not disappoint.

Following an hour-plus-long DJ set from A Tribe Called Quest’s Q-Tip, who spun classics from Wu-Tang to Drake, through LL Cool J and Gang Starr, and incorporating the Jackson Five and a singalong to Al Green’s “Let’s Get Together,” Ms. Hill took the stage backed by a ten-piece band that was contagious in its ferocity and launched immediately into a high-tempo, rock-reggae jam that included snippets of “Killing Me Softly,” the Fugees cover that Ms. Hill made famous on the group’s Grammy-winning 1996 sophomore album “The Source.”

She rolled through tracks off another of her Grammy-smashing albums, her solo debut “The Miseducation of Lauryn Hill,” guiding her tightly-bound yet loosely-wound band through “Everything is Everything” and “Superstar,” with her rapid-fire vocals propelling the crowd into a near-constant frenzy.

[…] it bled seamlessly out of her, with near-flawless transitions and an intensity

[…] It wasn’t Lauryn Hill, neo-soul rapstress. It was Lauryn Hill laying it all on the line regardless of what would, or will, come next.

The finale of “Ready Or Not” saw Hill leave the stage a little over an hour after her set started, but that wasn’t going to be the end. She came back out almost immediately for a slower, groovier and more fully realized “Killing Me Softly” before transitioning into a chaotic, breakneck-paced “Neurotic Society” (which she at points slowed all the way down and dove into near-a capella moments), before breezing through full-blown covers of Bob Marley’s “Jammin’” and “Could You Be Loved.”

“Death to Molly”: Kendrick Lamar / “Bitch, Don’t Kill My Vibe” {video}

(Source: youtube.com)

“The iPhone 5 is For Food Photography” (dir. Adam Sacks)

(Source: youtube.com)

Although he’s joking, there is an element of truth to this. The hashtag is no longer simply a means of sorting – it’s become a multi-faceted, functional part of electronic language. It carries a specific tone, in the way that sarcasm does in spoken language. And it’s trying to break free from its cage.

#Hastags & #Language